To
evaluate my case, I will be using the Photographer’s Code of Ethics. This code
of Ethics has various sections; I will be using the Responsibility of the Photojournalist
section. According to its website, this is a guide for ethical business
dealings, protecting the profession, the photographer, vendors, employee,
subjects, clients and colleagues.
To find out more about the Photographer’s Code of
Ethics, you may visit:
To speak
about the Responsibility of the Photojournalist, I’d like to first refer to
the word responsibility. According to Chapter 2 of our book Controversies in
Media Ethics, to be responsible requires thought, decision-making, and action
it is not just about obeying orders. To be responsible is to be unselfish, to
consider and work for the benefits of others without expecting any kind of
reward.
The responsibilities of the photojournalists are as follows:
- Photograph as honestly as possible, provide accurate captions, and never intentionally distort the truth in news photographs.
- Never alter the content or meaning of a news photograph and prohibit subsequent alteration.
- Disclose any alteration and manipulation of content or meaning in editorial feature or illustrative photographs and require the publisher to disclose that distortion or any further alteration.
This Code of Ethics is helpful in evaluating the ethical considerations of this case study because it relates directly to the case and outlines how a photographer should perform, even under deadline pressure. The first responsibility is to photograph as honestly as possible and it indicates that a photographer should never intentionally distort the truth in news photographs. I believe that the photographer in the case intentionally distorted the truth because the people in his photos were not really homeless. The photos were not honest. The second responsibility is to never alter the content or meaning of a photo, which is what the photographer in the case did when he asked his friends to pose as homeless people. The third responsibility states that the photographer should disclose any alteration and manipulation of content or meaning. The photographer in the case clearly did not disclose to his editor about the truth behind his photos.
This Code
of Ethics is not helpful in evaluating the ethical considerations of this case
because the end result was for the good of homeless people and to prevent them
from suffering. The editor needed photos of homeless people and that was what
he received and the photos made the impact that he needed them to make. It
raised social conscience in the people that called the newspaper and
Corporation and it changed the minds of the corporate executives.
If we
consider Mill’s Utility Principle and focus on the outcome, then we can say
that the photographer was right to have friends pose as homeless people. If we
look at the case from the editor’s point of view, we see that he wanted to run
a story that would explain why the Corporation shouldn’t build its plant-site
in that particular part of the city. The homeless shelter couldn’t afford to
move and many homeless people would be affected by this Corporation’s decision
to build their site there. The editor needed strong emotional photos that would
evoke interest in the audience and the Corporate’s leaders. The outcome was
that the Corporation declined to build their plant-site where the homeless
shelter was. The outcome turned out to be what the editor wanted.
If we
consider Kant’s Categorical Imperative and focus on the action, then we can say
that the photographer was wrong or acted against his Code of Ethics. He did not
portray the truth in his photos. Even though he didn’t alter the meaning of the
photo, he didn’t disclose to his editor the truth behind the photo. He didn’t
express his difficulties getting the photos that he needed. He didn’t have a
caption that indicated the people in the photo weren’t really homeless. And of
course that poses the question about audience reception, how would the audience
react if they read a story about a homeless shelter, then see that the picture
shows a person pretending to be homeless? I believe that disclosing the truth
behind the action would not have had the same outcome or audience response.
What was
most helpful in this case was that even though the photos didn’t show a real
homeless person, the outcome helped many homeless people. The photographer was
acting out of desperation because he needed to comply with what his boss wanted
and he didn’t have a lot of time to do it. In the end he needed photos of
homeless people and that was what he took. He was responsible with fulfilling his task, he thought about a solution to his problem, he made a decision and acted upon it.
In my
opinion the outcome of this case was not necessarily positive for everyone
involved. The Corporation had chosen that site because it was in a run down
part of the city. Having the Corporation build its plant-site there might have
helped other people in the city by creating jobs, cleaning a run down part of
the city and it would’ve brought financial gain to the property owner. To me
the only ones that benefited from the Corporation’s decision were the homeless
people and their shelter. So, faking photos could never be justified because
even when one group may benefit from it in a positive way, there may be another
group that will not benefit from it. And when the truth is not being portrayed
in the photo it is still deceiving to the audience.
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